
plate no. 8798
Hubertine Heijermans, 1959
Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and capturing light and shadow with visible brushstrokes. It's a good exercise in simplifying complex forms and focusing on essential details.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, neck, and shoulders.
Block in the main areas of color: skin, hair, background.
Establish the light and shadow patterns on the face, using a limited palette.
Refine the facial features, paying attention to the angles and proportions.
Add details to the hair, using short, directional brushstrokes.
Blend and soften edges where needed, but retain some visible brushstrokes.
Add highlights and reflections to the eyes and lips.
Make final adjustments to the overall composition and color balance.
color palette
primary · titanium white · burnt umber · cadmium red light · yellow ochre
secondary · viridian · ultramarine blue
Mix skin tones by combining white, yellow ochre, cadmium red, and a touch of burnt umber. Use viridian and ultramarine sparingly to cool down shadows and add depth to the hair.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a canvas with a medium texture to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor