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Self-portrait by Francis Gruber

plate no. 8091

Self-portrait

Francis Gruber, 1942

oilExpressionismself-portraitself-portraitfigureinteriorartistwindoweasel
experienced study

Recreating this painting will help students develop skills in portraiture, capturing likeness, and understanding how to create depth and form using value and color. It also provides practice in depicting textures and creating a sense of atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and the background elements (windows, easel).

  2. step 02

    Establish the overall value structure by blocking in the main areas of light and shadow with diluted paint.

  3. step 03

    Begin refining the facial features, paying close attention to the proportions and angles of the eyes, nose, and mouth.

  4. step 04

    Develop the clothing, focusing on the folds and creases that define the form.

  5. step 05

    Work on the background elements, adding details to the windows, easel, and floorboards.

  6. step 06

    Refine the edges and details throughout the painting, adding highlights and shadows to create depth and dimension.

  7. step 07

    Pay attention to the color temperature and adjust the colors as needed to create a harmonious composition.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the overall effect.

color palette

primary · ultramarine blue · raw umber · yellow ochre

secondary · titanium white · burnt sienna

Mix ultramarine blue and raw umber for the dark blues of the jacket and shadows. Use yellow ochre and white for the skin tones, adding small amounts of burnt sienna for warmth. Mix white with small amounts of raw umber and yellow ochre to create the wall color.

techniques

  • ·portraiture
  • ·value studies
  • ·alla prima
  • ·scumbling
  • ·glazing

common pitfalls

  • →Incorrect proportions of the figure
  • →Overblending the colors
  • →Ignoring the value structure
  • →Getting lost in details too early
  • →Not capturing the likeness of the subject

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·#4 round brush
  • ·#6 flat brush
  • ·#8 filbert brush
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-tooth canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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