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home·artworks·Self-Portrait
Self-Portrait by Elaine de Kooning

plate no. 9953

Self-Portrait

Elaine de Kooning, 1946

oilExpressionismself-portraitfigureinteriorchairbookstill lifeself-portrait
some experience helpful

Recreating this painting will help students develop skills in capturing a likeness with simplified forms and understanding how to create a sense of depth using color and value relationships within a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the main shapes and proportions of the figure and the surrounding objects.

  2. step 02

    Block in the large areas of color, focusing on the overall value structure of the painting.

  3. step 03

    Refine the shapes and details of the figure, paying attention to the planes of the face and the folds of the clothing.

  4. step 04

    Add the details of the background, including the objects on the shelves and the patterns on the wall hanging.

  5. step 05

    Mix and apply subtle color variations to create depth and dimension.

  6. step 06

    Use visible brushstrokes to add texture and energy to the painting.

  7. step 07

    Pay attention to the highlights and shadows to create a sense of form.

  8. step 08

    Add final details and adjust colors as needed.

color palette

primary · yellow ochre · raw umber · titanium white

secondary · burnt sienna · ultramarine blue

Mix yellow ochre and raw umber with white to create the various shades of the background and figure. Burnt sienna can be added to warm up the skin tones and chair. A touch of ultramarine blue can be used to cool down the shadows.

techniques

  • ·blocking in
  • ·color mixing
  • ·visible brushstrokes
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details
  • →Getting bogged down in precise realism
  • →Ignoring the overall value structure
  • →Using too many colors
  • →Not capturing the likeness of the figure

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·yellow ochre oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·#6 round brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grain canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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