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self-portrait by David Kakabadze

plate no. 6923

self-portrait

David Kakabadze, 1913

oilExpressionismself-portraitportraitfigureinteriorwindowclothingbooks
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating depth through layering and brushwork. It also provides practice in capturing the essence of a subject rather than hyper-realistic detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Establish the main light and shadow areas with thin washes of color.

  3. step 03

    Block in the skin tones using a limited palette of earth tones and white.

  4. step 04

    Develop the details of the face, paying attention to the subtle shifts in color and value.

  5. step 05

    Add the clothing and background, using visible brushstrokes to create texture and interest.

  6. step 06

    Refine the edges and details, softening or sharpening them as needed.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · raw umber · burnt sienna · titanium white

secondary · yellow ochre · ivory black · cadmium red light

Mix skin tones by combining raw umber, burnt sienna, and titanium white, adjusting the proportions to achieve the desired hue and value. Use yellow ochre to warm the skin tones and ivory black to cool them. Add a touch of cadmium red light for the lips and cheeks.

techniques

  • ·blocking in
  • ·layering
  • ·dry brushing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Over-blending the skin tones, resulting in a flat, lifeless appearance.
  • →Ignoring the subtle shifts in color and value, leading to a lack of depth.
  • →Getting bogged down in details too early in the process.
  • →Failing to establish a clear light source.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·cadmium red light oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grit canvas to allow for texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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