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Self-portrait by Albin Egger-Lienz

plate no. 4619

Self-portrait

Albin Egger-Lienz, 1926

oilExpressionismself-portraitportraitfigurefaceself-portraitman
some experience helpful

Recreating this portrait will help students understand how to build form with value and practice hatching and cross-hatching techniques to create depth and texture. It also provides an opportunity to study facial proportions and anatomy.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic head shape and facial features, paying attention to proportions.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Begin applying the primary color (red chalk or similar) in light layers, building up darker values in the shadows.

  4. step 04

    Use hatching and cross-hatching to create texture and depth, varying the pressure and spacing of the lines.

  5. step 05

    Pay close attention to the details of the eyes, nose, and mouth, using darker values to define their shapes.

  6. step 06

    Soften edges where necessary to create a more natural look.

  7. step 07

    Add final highlights to emphasize the light source and create a sense of form.

  8. step 08

    Refine the overall composition and make any necessary adjustments.

color palette

primary · red chalk · sanguine

secondary · light beige · cream

Vary the pressure applied to the chalk to achieve different values. Use blending to soften transitions between light and shadow.

techniques

  • ·hatching
  • ·cross-hatching
  • ·value shading
  • ·blending
  • ·contour drawing

common pitfalls

  • →Overworking the drawing and losing the freshness of the initial sketch.
  • →Not paying close enough attention to proportions and facial anatomy.
  • →Creating harsh, unnatural shadows.
  • →Failing to vary the pressure and spacing of the hatching lines.

materials

surface · drawing paper (toned or off-white)

required

  • ·red chalk or sanguine pencil
  • ·drawing paper (toned or off-white)
  • ·kneaded eraser
  • ·soft cloth or blending stump
  • ·fixative spray

optional

  • ·charcoal pencil
  • ·tortillon
  • ·sandpaper block

Using toned paper can help establish a mid-tone and make it easier to build up both highlights and shadows.

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oil painting for beginners →how to learn by studying the masters →
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