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home·artworks·Self-Portrait Beneath Woman's Mask
Self-Portrait Beneath Woman's Mask by Edvard Munch

plate no. 6056

Self-Portrait Beneath Woman's Mask

Edvard Munch, 1892

oil, boardExpressionismself-portraitself-portraitfiguremaskredfaceportrait
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing with a limited palette, and creating expressive brushstrokes to convey emotion. Students will also learn to create depth and atmosphere using layers of color and texture.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and the mask.

  2. step 02

    Block in the background with a thin layer of red paint, varying the tones slightly.

  3. step 03

    Establish the basic shapes and values of the figure's face, using a limited palette of skin tones.

  4. step 04

    Add details to the figure's face, such as the eyes, nose, and mouth, paying attention to the subtle variations in color and value.

  5. step 05

    Paint the figure's clothing, using a dark color and simple brushstrokes.

  6. step 06

    Add the mask above the figure's head, using bold colors and expressive brushstrokes.

  7. step 07

    Refine the background, adding subtle details and textures to create depth and atmosphere.

  8. step 08

    Add final touches and highlights to the figure and the mask, using a small brush.

color palette

primary · red · black · white · yellow ochre

secondary · burnt umber · ultramarine blue

Mix skin tones using white, yellow ochre, and a touch of red. Achieve darker tones by mixing black and burnt umber. Vary the red background by adding small amounts of yellow or blue.

techniques

  • ·dry brush
  • ·scumbling
  • ·layering
  • ·color mixing
  • ·portraiture

common pitfalls

  • →Overworking the details of the face, resulting in a stiff and unnatural appearance.
  • →Using too much paint, resulting in a muddy and unclear image.
  • →Ignoring the subtle variations in color and value, resulting in a flat and lifeless image.
  • →Failing to capture the expressive quality of the brushstrokes, resulting in a dull and uninspired painting.

materials

surface · stretched canvas

required

  • ·stretched canvas 12x16
  • ·oil paints (red, black, white, yellow ochre, burnt umber, ultramarine blue)
  • ·assorted brushes (round and flat)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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