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home·artworks·Self-Portrait at Professor Jacobson's Hospital
Self-Portrait at Professor Jacobson's Hospital by Edvard Munch

plate no. 5093

Self-Portrait at Professor Jacobson's Hospital

Edvard Munch, 1909

oil, canvasExpressionismself-portraitportraitfigurehospitalchairwindowinterior
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and color mixing to convey mood and texture. It also provides practice in capturing a likeness with loose, painterly strokes.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the figure and the placement of key elements.

  2. step 02

    Block in the main color areas with thin washes, establishing the overall value structure.

  3. step 03

    Begin building up the background with horizontal brushstrokes, varying the colors and values to create depth.

  4. step 04

    Focus on the face, using short, directional brushstrokes to define the planes and features.

  5. step 05

    Develop the clothing and chair, paying attention to the folds and contours.

  6. step 06

    Add details to the window and balcony, suggesting the environment without over-defining it.

  7. step 07

    Refine the edges and details, adjusting the colors and values as needed.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of light.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · viridian

Mix various shades of skin tones using white, yellow ochre, burnt umber, and a touch of alizarin crimson. Create the blues in the suit by mixing ultramarine with black and white. Achieve the background yellows by mixing cadmium yellow with white and a touch of burnt umber.

techniques

  • ·expressive brushwork
  • ·color layering
  • ·scumbling
  • ·alla prima
  • ·broken color

common pitfalls

  • →Overworking the details and losing the expressive quality.
  • →Creating muddy colors by over-mixing.
  • →Failing to capture the likeness of the figure.
  • →Ignoring the importance of value contrast.
  • →Not varying brushstrokes enough

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·varnish
  • ·easel
  • ·rags

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a fast-drying medium to speed up the drying time.

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oil painting for beginners →how to learn by studying the masters →
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