apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Self portrait as an ARP WWII warden
Self portrait as an ARP WWII warden by Cyril Power

plate no. 5386

Self portrait as an ARP WWII warden

Cyril Power

oilExpressionismself-portraitportraitfigurehatwardenuniform
some experience helpful

This painting is great for learning impasto techniques and how to build form with visible brushstrokes. Students will practice color mixing to achieve realistic skin tones and capture the subject's likeness.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, hat, and shoulders.

  2. step 02

    Block in the main areas of color with thin washes, focusing on the overall value structure.

  3. step 03

    Begin building up thicker layers of paint, using short, directional brushstrokes to define the forms.

  4. step 04

    Pay close attention to the highlights and shadows on the face, using thicker paint for the highlights.

  5. step 05

    Add details to the hat and uniform, using smaller brushes and more precise strokes.

  6. step 06

    Refine the edges and blend colors where necessary, but maintain the overall impressionistic style.

  7. step 07

    Add final touches and highlights to bring the portrait to life.

  8. step 08

    Allow to dry and varnish.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · cadmium red · ivory black

Mix various combinations of white, umber, ochre, and a touch of red to achieve the skin tones. Use ultramarine blue and black for the darker areas of the hat and uniform. Add white to the blue for highlights.

techniques

  • ·impasto
  • ·broken color
  • ·directional brushstrokes
  • ·color mixing
  • ·layering

common pitfalls

  • →Over-blending the colors and losing the texture of the brushstrokes.
  • →Getting the proportions wrong in the initial sketch.
  • →Using too much paint and creating a muddy effect.
  • →Ignoring the value structure and focusing only on color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor