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home·artworks·Self-portrait as a twenty year old
Self-portrait as a twenty year old by Giovanni Segantini

plate no. 0421

Self-portrait as a twenty year old

Giovanni Segantini, 1880

oilSymbolismself-portraitportraitfiguremanself-portraitclothingface
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones with subtle color variations. It also provides practice in creating depth and form using light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic proportions and pose of the figure on the canvas.

  2. step 02

    Establish the main areas of light and shadow using a thin wash of burnt umber.

  3. step 03

    Block in the skin tones with a base layer of color, focusing on the overall warmth.

  4. step 04

    Begin building up the form by layering in highlights and shadows, paying attention to the subtle color shifts in the skin.

  5. step 05

    Define the features of the face, such as the eyes, nose, and mouth, with careful attention to detail.

  6. step 06

    Paint the clothing and background, using a limited palette of dark colors to create contrast with the face.

  7. step 07

    Refine the details and add finishing touches, such as highlights in the eyes and subtle textures in the hair.

  8. step 08

    Glaze with thin layers to unify the colors and create a sense of depth.

color palette

primary · burnt umber · titanium white · cadmium red light

secondary · ivory black · yellow ochre · ultramarine blue

Mix skin tones by combining white, red, yellow ochre, and a touch of umber. Use ultramarine blue and burnt umber to create neutral darks for the background and clothing.

techniques

  • ·portraiture
  • ·value studies
  • ·layering
  • ·blending
  • ·scumbling

common pitfalls

  • →Over-blending the skin tones, resulting in a flat and lifeless appearance.
  • →Failing to accurately capture the proportions of the face.
  • →Using too much detail in the background, distracting from the focal point.
  • →Ignoring the subtle color variations in the skin.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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