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home·artworks·Selbstporträt mit Seifenblasen
Selbstporträt mit Seifenblasen by Helen Dahm

plate no. 5929

Selbstporträt mit Seifenblasen

Helen Dahm

oilExpressionismself-portraitself-portraitfigurebubblesdark backgroundface
some experience helpful

Recreating this painting will help students practice expressive brushwork and learn to create depth and form using a limited color palette and strong value contrasts. It also encourages experimentation with texture and abstract representation.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the figure and bubbles, paying attention to their placement and proportions.

  2. step 02

    Block in the dark background using a deep black or dark blue.

  3. step 03

    Apply the base colors for the face, hair, and bubbles, focusing on the overall tonal values.

  4. step 04

    Add layers of color to the face, building up the highlights and shadows to create form.

  5. step 05

    Use short, expressive brushstrokes to define the features of the face and add texture.

  6. step 06

    Paint the bubbles with varying shades of blue and white, creating a sense of depth and translucency.

  7. step 07

    Add final details and highlights to the figure and bubbles, refining the overall composition.

  8. step 08

    Review the painting and make any necessary adjustments to the colors, values, and brushstrokes.

color palette

primary · ultramarine blue · yellow ochre · titanium white · black

secondary · burnt sienna · viridian green

Mix white with blue to create various shades of blue for the bubbles. Use yellow ochre and burnt sienna to create skin tones, and mix with white and blue to create highlights and shadows.

techniques

  • ·expressive brushwork
  • ·layering
  • ·color mixing
  • ·value control
  • ·scumbling

common pitfalls

  • →Overblending the colors, resulting in a muddy appearance.
  • →Not paying attention to the tonal values, leading to a flat or unrealistic image.
  • →Using too much detail, which can detract from the expressive quality of the painting.
  • →Ignoring the importance of the background in creating depth and contrast.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·apron

Use a medium-grain canvas for best results. Consider using a palette knife for applying thick layers of paint.

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oil painting for beginners →how to learn by studying the masters →
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