apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Selbstbildnis
Selbstbildnis by Giovanni Segantini

plate no. 8185

Selbstbildnis

Giovanni Segantini, 1893

oilSymbolismself-portraitportraitfigurehairbeardfaceman
some experience helpful

Recreating this drawing will help students develop skills in rendering form with hatching and cross-hatching, and understanding value relationships to create depth and volume. It also provides practice in capturing likeness and expression in portraiture.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall proportions and placement of the head, hair, and beard.

  2. step 02

    Establish the main light and shadow areas with light pencil strokes.

  3. step 03

    Begin building up darker values in the hair and beard using hatching and cross-hatching techniques.

  4. step 04

    Develop the facial features, paying close attention to the shapes of the eyes, nose, and mouth.

  5. step 05

    Refine the values and details in the face, using a combination of hatching, cross-hatching, and blending.

  6. step 06

    Add texture to the hair and beard by varying the direction and pressure of your pencil strokes.

  7. step 07

    Create the background with light hatching, keeping it subtle and secondary to the figure.

  8. step 08

    Add final details and adjust values to create a cohesive and expressive portrait.

color palette

primary · graphite · ivory black

secondary · ochre · raw umber

The drawing relies on layering graphite to achieve different values. The background is a subtle wash of ochre and raw umber.

techniques

  • ·Hatching
  • ·Cross-hatching
  • ·Value gradation
  • ·Contour drawing
  • ·Blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Creating a flat or lifeless rendering by not varying pencil pressure.
  • →Not paying attention to proportions and likeness.

materials

surface · Drawing paper (smooth or slightly textured)

required

  • ·Graphite pencils (HB, 2B, 4B, 6B)
  • ·Kneaded eraser
  • ·Blending stump
  • ·Drawing paper (smooth or slightly textured)
  • ·Pencil sharpener
  • ·Ruler

optional

  • ·Tortillon
  • ·Chamois cloth
  • ·Colored pencils (ochre, raw umber)

Use a variety of graphite pencils to achieve a full range of values. Experiment with different blending techniques to create smooth transitions and subtle details.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

The canal at Ponte San Marco

The canal at Ponte San Marco

Giovanni Segantini