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home·artworks·Sea Grasses and Blue Sea
Sea Grasses and Blue Sea by Milton Avery

plate no. 2085

Sea Grasses and Blue Sea

Milton Avery, 1958

oil, canvasExpressionismmarinaseawatergrassesskylandscape
some experience helpful

Recreating this painting will help students practice simplifying complex scenes into basic shapes and using a limited color palette to create a cohesive and expressive artwork. It also provides an opportunity to experiment with visible brushstrokes to add texture and visual interest.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: the horizon line, the diagonal line separating the sea grasses from the water, and the general placement of the dark shapes.

  2. step 02

    Block in the sky with a light blue, using broad, horizontal brushstrokes.

  3. step 03

    Fill in the sea grasses area with a light blue-green, using diagonal brushstrokes that follow the slope.

  4. step 04

    Mix a medium blue and apply it to the water area, varying the pressure to create subtle tonal changes.

  5. step 05

    Mix a darker blue and add it to the water, creating depth and variation.

  6. step 06

    Paint the dark shapes in the water with a dark blue/black mixture, leaving some gaps to reveal the underlying blue.

  7. step 07

    Add small details and highlights to the sea grasses and water to enhance the texture and depth.

  8. step 08

    Review the painting and make any necessary adjustments to the colors, shapes, and brushstrokes.

color palette

primary · ultramarine blue · cerulean blue · titanium white

secondary · black · light green

Mix different blues with white to achieve the various shades of blue in the water and sky. Add a touch of green to white for the sea grasses.

techniques

  • ·color blocking
  • ·broken color
  • ·dry brushing
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Making the colors too uniform and lacking variation.
  • →Failing to simplify the shapes and details.
  • →Not paying attention to the balance of light and dark areas.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ultramarine blue oil paint
  • ·cerulean blue oil paint
  • ·titanium white oil paint
  • ·black oil paint
  • ·light green oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·painting medium

Use good quality oil paints for best results. Consider using a medium to thin the paint and improve flow.

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oil painting for beginners →how to learn by studying the masters →
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