apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Scholar and Crane
Scholar and Crane by Ding Yanyong

plate no. 8017

Scholar and Crane

Ding Yanyong

oilExpressionismportraitfigurecranetree branchtraditional clothingbirdcalligraphy
some experience helpful

Recreating this painting will help students develop brush control and understand the use of varying ink densities to create depth and form. It also provides practice in capturing the essence of a subject with minimal detail.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure, crane, and tree branch.

  2. step 02

    Begin with the darkest areas, such as the tree trunk and the scholar's hat, using a heavily saturated ink or dark paint.

  3. step 03

    Apply lighter washes of ink or diluted paint to the scholar's robe, allowing the white of the paper to show through.

  4. step 04

    Add details to the crane, focusing on the head and beak.

  5. step 05

    Paint the red crest of the crane with a vibrant red.

  6. step 06

    Add the calligraphy with a fine brush and dark ink.

  7. step 07

    Refine the details and adjust values as needed.

  8. step 08

    Allow to dry completely.

color palette

primary · black ink · white (of the paper) · light blue

secondary · red · grey

Varying the amount of water added to the black ink creates different shades of grey. Light blue can be achieved by diluting a darker blue or mixing blue with white.

techniques

  • ·ink wash
  • ·dry brush
  • ·varying ink density
  • ·calligraphic brushstrokes
  • ·negative space

common pitfalls

  • →Overworking the details
  • →Using too much water and creating muddy colors
  • →Not varying the ink density enough
  • →Losing the spontaneity of the brushstrokes

materials

surface · Watercolor paper or rice paper

required

  • ·Chinese calligraphy brush (various sizes)
  • ·Black ink
  • ·Watercolor paper or rice paper
  • ·Water container
  • ·Palette or mixing dish
  • ·Red watercolor or ink
  • ·Light blue watercolor or ink

optional

  • ·Felt mat
  • ·Paperweight
  • ·Seal paste

Experiment with different types of brushes and paper to find the ones that work best for you. Use high-quality ink for the best results.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor