apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Scene on the Wang Ch‘uan
Scene on the Wang Ch‘uan by Wang Wei

plate no. 9788

Scene on the Wang Ch‘uan

Wang Wei

oilInk and wash paintinglandscapemountainswatertreesboatslandscapesky
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and rendering complex forms with simplified brushstrokes. It will also teach them to create depth using value and layering.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountains, water, and trees, paying attention to the overall composition.

  2. step 02

    Establish the horizon line and the general areas of light and shadow.

  3. step 03

    Begin layering washes of diluted ink or paint to create the atmospheric perspective, with lighter values in the distance.

  4. step 04

    Add darker values to define the forms of the mountains and trees, using varied brushstrokes to create texture.

  5. step 05

    Paint the water with horizontal strokes, reflecting the sky and surrounding landscape.

  6. step 06

    Add details to the boats and trees, using a finer brush.

  7. step 07

    Refine the values and details, paying attention to the overall balance of the composition.

  8. step 08

    Add final touches and highlights to create depth and interest.

color palette

primary · black · white · gray

secondary · light brown · dark brown

Achieve varying shades of gray by diluting black ink or paint with water. Mix browns by combining black, white, and a touch of brown.

techniques

  • ·wash technique
  • ·atmospheric perspective
  • ·dry brush
  • ·layering
  • ·value control

common pitfalls

  • →Overworking the details and losing the sense of atmosphere.
  • →Creating too much contrast and making the painting look flat.
  • →Not diluting the ink or paint enough, resulting in a muddy appearance.
  • →Ignoring the overall composition and focusing too much on individual elements.

materials

surface · watercolor paper 140lb

required

  • ·Chinese ink or black watercolor
  • ·White gouache or watercolor
  • ·Round brushes (various sizes)
  • ·Watercolor paper or rice paper
  • ·Water container
  • ·Mixing palette
  • ·Paper towels
  • ·Easel

optional

  • ·palette knife
  • ·ruler
  • ·masking fluid

Use high-quality ink or paint for best results. Experiment with different types of brushes to achieve varied effects.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The branch of wisteria

The branch of wisteria

Qi Baishi

Untitled

Untitled

Shen Zhou

Yang Guifei Mounting a Horse

Yang Guifei Mounting a Horse

Qian Xuan

A Night Feast Over a Thousand Years

A Night Feast Over a Thousand Years

Wu Guanzhong

Conversation with the mountain

Conversation with the mountain

Shitao

The Melons

The Melons

Shitao

The Source in the hollow of the Rock

The Source in the hollow of the Rock

Shitao

Mists on the mountain

Mists on the mountain

Shitao