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home·artworks·Saying Goodbye to the God of Disease
Saying Goodbye to the God of Disease by Fu Baoshi

plate no. 8594

Saying Goodbye to the God of Disease

Fu Baoshi, 1958

oilInk and wash paintinglandscapelandscapemountainstreesfiguresblossomsriver
some experience helpful

Recreating this painting will help students develop skills in layering washes to create depth and atmosphere, as well as capturing detail with expressive brushstrokes. It also provides practice in depicting a complex scene with many small figures and elements.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, indicating the horizon line, mountains, river, and major groups of trees and figures.

  2. step 02

    Apply a light wash of diluted brown or ochre to the entire paper to create a warm base tone.

  3. step 03

    Begin layering washes of diluted greens and blues for the mountains in the background, gradually increasing the color intensity in the foreground.

  4. step 04

    Use a fine brush to add details to the trees, including the leaves and branches, using varying shades of green and brown.

  5. step 05

    Paint the pink blossoms using a mixture of red and white, dabbing the brush to create a textured effect.

  6. step 06

    Add the figures and carts using a fine brush and diluted black ink, paying attention to their relative sizes and positions.

  7. step 07

    Use small touches of red for the flags and other details to add pops of color.

  8. step 08

    Add final details and refine the composition as needed.

color palette

primary · raw umber · sap green · crimson

secondary · titanium white · ultramarine blue

Achieve the muted greens by mixing sap green with raw umber. The pink blossoms are created by mixing crimson with titanium white, adjusting the ratio for different shades.

techniques

  • ·layering washes
  • ·dry brush
  • ·pointillism (for blossoms)
  • ·atmospheric perspective
  • ·calligraphic brushstrokes

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural look.
  • →Using colors that are too saturated, making the painting appear garish.
  • →Failing to create a sense of depth and atmosphere.
  • →Not varying the brushstrokes enough, resulting in a monotonous texture.

materials

surface · rice paper

required

  • ·Chinese painting brushes (fine, medium, large)
  • ·Chinese ink sticks or bottled ink
  • ·Chinese watercolor paints
  • ·Water container
  • ·Mixing palette
  • ·Felt mat
  • ·Rice paper or watercolor paper
  • ·Paper weights

optional

  • ·palette knife
  • ·sealing stone and paste

Use a high-quality rice paper that is absorbent but not too fragile. Experiment with different types of brushes to find the ones that work best for you.

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oil painting for beginners →how to learn by studying the masters →
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