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home·artworks·Saxon figurines
Saxon figurines by Serge Sudeikin

plate no. 7695

Saxon figurines

Serge Sudeikin, 1911

oilPost-Impressionismstill lifefigurinesflowerspatternsstill lifefabric
experienced study

Recreating this painting will help students develop skills in color mixing, broken color techniques, and capturing the texture of fabrics and patterns. It also encourages observation of subtle color variations within seemingly monochromatic areas.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the figurines and the background pattern.

  2. step 02

    Establish the main color blocks for the background using thin washes.

  3. step 03

    Begin building up the background pattern with short, broken brushstrokes of varying colors.

  4. step 04

    Block in the basic shapes and values of the figurines.

  5. step 05

    Refine the details of the figurines, paying attention to the subtle color variations in the highlights and shadows.

  6. step 06

    Add the floral details around the figurines and in the background.

  7. step 07

    Adjust the overall color balance and contrast to match the original painting.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · red ochre · burnt umber · titanium white · cadmium yellow

secondary · ultramarine blue · alizarin crimson · sap green

Achieve the warm, earthy tones by mixing red ochre, burnt umber, and titanium white. Use small amounts of ultramarine blue to create cooler shadows and grays. Mix alizarin crimson and cadmium yellow for the reds and oranges in the background.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brushing
  • ·color mixing
  • ·layering

common pitfalls

  • →Overblending the colors, resulting in a flat and lifeless appearance.
  • →Failing to capture the subtle color variations within the seemingly monochromatic areas.
  • →Getting lost in the details of the pattern and losing the overall composition.
  • →Using too much paint, resulting in a muddy and overworked painting.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (red ochre, burnt umber, titanium white, cadmium yellow, ultramarine blue, alizarin crimson, sap green)
  • ·palette
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·palette knife
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·varnish

Use high-quality oil paints for the best results. Experiment with different brush sizes and shapes to achieve the desired textures.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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