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home·artworks·Sarah Ogden Gustin
Sarah Ogden Gustin by Joshua Johnson

plate no. 5105

Sarah Ogden Gustin

Joshua Johnson, 1805

oilNaïve Art (Primitivism)portraitportraitwomandresswindowbookfoliage
some experience helpful

This painting offers a good opportunity to practice portraiture basics and rendering simple forms with limited color variations. Students can learn about creating a sense of depth through subtle value changes and atmospheric perspective.

technical profile

palette complexity
2
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to proportions and placement of the figure, window, and book.

  2. step 02

    Establish the background with a thin wash of dark color, gradually building up darker tones.

  3. step 03

    Block in the main shapes of the figure, focusing on the dress and skin tones.

  4. step 04

    Refine the facial features, paying attention to the subtle highlights and shadows.

  5. step 05

    Add details to the dress, including the lace trim and folds.

  6. step 06

    Paint the window and the landscape view outside, using lighter values and softer edges to create distance.

  7. step 07

    Add the book and foliage, paying attention to their texture and form.

  8. step 08

    Make final adjustments to values and details to create a cohesive and balanced painting.

color palette

primary · burnt umber · titanium white · ivory black

secondary · yellow ochre · sap green

Mix skin tones by blending white with small amounts of burnt umber and yellow ochre. Create the dress color by mixing burnt umber with a touch of black. Use white to lighten colors and create highlights.

techniques

  • ·portraiture
  • ·glazing
  • ·blending
  • ·atmospheric perspective
  • ·grisaille

common pitfalls

  • →Overworking the details too early
  • →Incorrect proportions of the figure
  • →Using too much paint
  • →Ignoring the subtle value changes

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·#4 round brush
  • ·#6 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a smooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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