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Sarah Eliot by Prudence Heward

plate no. 3703

Sarah Eliot

Prudence Heward, 1945

oilExpressionismportraitportraitfiguregirldresshairbackground
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating depth through subtle value changes. It also provides practice in capturing a likeness and conveying emotion through facial expression.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and dress.

  2. step 02

    Establish the background with broad strokes of green and brown, creating a sense of depth.

  3. step 03

    Block in the main areas of color for the skin, hair, and dress, using a limited palette.

  4. step 04

    Begin to refine the facial features, paying attention to the subtle variations in skin tone and the play of light and shadow.

  5. step 05

    Add details to the hair, using small brushstrokes to create texture and movement.

  6. step 06

    Refine the dress, adding details such as the collar and sleeves, and paying attention to the folds and drapery.

  7. step 07

    Add the bow in the hair, using a lighter shade of blue to create contrast.

  8. step 08

    Make final adjustments to the composition, ensuring that the figure is well-balanced and that the overall effect is harmonious.

color palette

primary · titanium white · yellow ochre · cerulean blue · raw umber

secondary · cadmium red light · viridian

Mix skin tones by blending yellow ochre, titanium white, and a touch of cadmium red light. Use raw umber to create shadows and define features. Achieve the blue of the dress by mixing cerulean blue with titanium white and a hint of viridian.

techniques

  • ·portraiture
  • ·color mixing
  • ·blending
  • ·layering
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong
  • →Overworking the details
  • →Using too much paint
  • →Failing to capture the likeness

materials

surface · stretched canvas

required

  • ·Stretched canvas 12x16
  • ·Oil paints (titanium white, yellow ochre, cerulean blue, raw umber, cadmium red light, viridian)
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Linseed oil
  • ·Odorless mineral spirits
  • ·Palette knife

optional

  • ·Medium gloss
  • ·Easel
  • ·Apron

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for the paint to adhere to.

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oil painting for beginners →how to learn by studying the masters →
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