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home·artworks·Saplings Mittagong II
Saplings Mittagong II by Fred Williams

plate no. 6556

Saplings Mittagong II

Fred Williams, 1961

oilExpressionismlandscapetreeslandscapeskysaplingsabstracthorizon
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as practicing expressive mark-making with visible brushstrokes. It's a good exercise in simplifying a landscape into essential forms and colors.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 6 hrs

approach — 8 steps

  1. step 01

    Sketch a simple horizon line dividing the canvas into sky and ground.

  2. step 02

    Block in the sky with a light peach/orange color, blending smoothly.

  3. step 03

    Apply a base layer of burnt sienna/red-brown for the ground, leaving some areas lighter and darker for variation.

  4. step 04

    While the ground layer is still wet, add darker shades of brown and red to create depth and texture.

  5. step 05

    Using a thin brush, paint the vertical lines representing the saplings with a dark brown or black, varying their thickness and height.

  6. step 06

    Add subtle highlights to the saplings using a lighter shade of brown or beige.

  7. step 07

    Define the horizon line with a slightly darker brown, creating a subtle undulating effect.

  8. step 08

    Allow to dry and add final touches to the saplings and ground as needed.

color palette

primary · burnt sienna · raw umber · titanium white

secondary · black · yellow ochre

Mix burnt sienna and raw umber for the ground, adding white to lighten and black to darken. Use white and yellow ochre to create the sky color.

techniques

  • ·dry brushing
  • ·layering
  • ·scumbling
  • ·expressive linework

common pitfalls

  • →Overblending the ground, losing texture.
  • →Making the saplings too uniform.
  • →Using too much detail, losing the abstract feel.
  • →Ignoring the subtle color variations in the ground.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt sienna oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·black oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·painting medium (linseed oil or similar)
  • ·easel

Use a medium-textured canvas to enhance the brushwork. Consider using a quick-drying medium to speed up the layering process.

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oil painting for beginners →how to learn by studying the masters →
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