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home·artworks·Santa Panagia (Sicily)
Santa Panagia (Sicily) by Renato Guttuso

plate no. 9882

Santa Panagia (Sicily)

Renato Guttuso, 1956

oilExpressionismlandscapebuildingslandscapevillageskyroadhills
some experience helpful

This painting provides practice in simplifying complex scenes into basic shapes and using expressive brushstrokes to convey texture and form. Students will learn to mix a range of muted and vibrant colors to create a dynamic composition.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings and the road, focusing on their relative sizes and positions.

  2. step 02

    Block in the large areas of color for the sky, buildings, and landscape using simplified shapes.

  3. step 03

    Start adding details to the buildings, such as roof lines and windows, using thicker paint and visible brushstrokes.

  4. step 04

    Develop the landscape with layers of color, blending some areas and leaving others with distinct brushstrokes.

  5. step 05

    Mix and apply darker tones to define shadows and create depth in the buildings and along the road.

  6. step 06

    Add highlights to the buildings and landscape to create contrast and visual interest.

  7. step 07

    Refine the details and adjust the colors as needed to achieve the desired effect.

  8. step 08

    Add final touches with small details and textures.

color palette

primary · ultramarine blue · yellow ochre · titanium white · burnt sienna

secondary · cadmium red · sap green · ivory black

Mix various shades of gray and beige by combining white, ochre, and a touch of black or burnt sienna. Achieve the dark blues by mixing ultramarine with black. Create the greens by mixing yellow ochre and ultramarine with a touch of white to lighten.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·color mixing
  • ·expressive brushwork

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Creating muddy colors by over-mixing on the palette.
  • →Failing to simplify the forms and getting bogged down in detail.
  • →Not establishing a strong value structure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil (if using oil paints)
  • ·odorless mineral spirits (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·varnish

Use a medium-textured canvas to enhance the brushstroke visibility. Acrylics are a good option for beginners due to their fast drying time.

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oil painting for beginners →how to learn by studying the masters →
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