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home·artworks·Santa Maria Della Salute
Santa Maria Della Salute by Graham Sutherland

plate no. 1103

Santa Maria Della Salute

Graham Sutherland, 1957

oilExpressionismcityscapebuildingdomearchitecturewatercityscapesteps
some experience helpful

Recreating this painting will help students develop skills in architectural rendering with loose brushwork and understanding how to create depth using a limited color palette. Students will also learn to simplify complex forms and capture the essence of the subject.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the building and the water line.

  2. step 02

    Block in the dark green background, leaving space for the building.

  3. step 03

    Establish the main light and shadow areas on the building with a mid-tone green-gray.

  4. step 04

    Add lighter highlights to the building's architectural details using white mixed with a touch of green or blue.

  5. step 05

    Paint the water surface with horizontal strokes of varying greens, reflecting the building's colors.

  6. step 06

    Add the red curtain detail in the entrance.

  7. step 07

    Refine the details of the building, focusing on the contrast between light and shadow.

  8. step 08

    Add final touches and adjust values as needed.

color palette

primary · viridian green · titanium white · payne's gray

secondary · cadmium red light · yellow ochre

Mix various shades of green by combining viridian green with white and a touch of Payne's gray. Use yellow ochre to warm up the greens and create subtle variations. The red is used sparingly for the curtain detail.

techniques

  • ·dry brushing
  • ·scumbling
  • ·color mixing
  • ·atmospheric perspective
  • ·blocking in

common pitfalls

  • →Overworking the details of the architecture.
  • →Creating too much contrast, losing the overall mood.
  • →Making the water too uniform, lacking reflection.
  • →Using too many colors, resulting in a muddy appearance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·viridian green oil paint
  • ·titanium white oil paint
  • ·payne's gray oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-grain canvas for better texture. Consider using a glazing medium to enhance the depth of the colors.

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oil painting for beginners →how to learn by studying the masters →
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