
plate no. 1103
Graham Sutherland, 1957
Recreating this painting will help students develop skills in architectural rendering with loose brushwork and understanding how to create depth using a limited color palette. Students will also learn to simplify complex forms and capture the essence of the subject.
technical profile
approach — 8 steps
Lightly sketch the basic shapes of the building and the water line.
Block in the dark green background, leaving space for the building.
Establish the main light and shadow areas on the building with a mid-tone green-gray.
Add lighter highlights to the building's architectural details using white mixed with a touch of green or blue.
Paint the water surface with horizontal strokes of varying greens, reflecting the building's colors.
Add the red curtain detail in the entrance.
Refine the details of the building, focusing on the contrast between light and shadow.
Add final touches and adjust values as needed.
color palette
primary · viridian green · titanium white · payne's gray
secondary · cadmium red light · yellow ochre
Mix various shades of green by combining viridian green with white and a touch of Payne's gray. Use yellow ochre to warm up the greens and create subtle variations. The red is used sparingly for the curtain detail.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for better texture. Consider using a glazing medium to enhance the depth of the colors.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor