
plate no. 9520
Luca di Tommé, 1389
Recreating this painting will help students practice portraiture, drapery, and the use of a limited color palette to create a cohesive image. It also provides an opportunity to study the application of gold leaf or metallic paint for decorative elements.
technical profile
approach — 8 steps
Prepare the surface with a gesso layer and let it dry completely.
Create a light sketch of the figure, halo, book, and keys, paying attention to proportions and composition.
Block in the main areas of color: the skin tones, robe, background, and book.
Begin layering and blending the skin tones, focusing on subtle shifts in value and color.
Develop the drapery of the robe, using highlights and shadows to create form and folds.
Add details to the book and keys, paying attention to their texture and form.
Apply gold leaf or metallic paint to the halo and decorative elements.
Add final details and refine the painting, adjusting values and colors as needed.
color palette
primary · yellow ochre · ultramarine blue · burnt umber
secondary · red ochre · titanium white
Mix yellow ochre with burnt umber and white for skin tones. Use ultramarine blue mixed with burnt umber for darker areas of the robe. Mix yellow ochre with a touch of red ochre for the robe's highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Consider using a toned canvas to speed up the painting process. Experiment with different brushstrokes to create texture and depth.
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