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home·artworks·san pietro
san pietro by Luca di Tommé

plate no. 9520

san pietro

Luca di Tommé, 1389

oilProto Renaissancereligious paintingfigurereligioushalokeysbookrobe
some experience helpful

Recreating this painting will help students practice portraiture, drapery, and the use of a limited color palette to create a cohesive image. It also provides an opportunity to study the application of gold leaf or metallic paint for decorative elements.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Prepare the surface with a gesso layer and let it dry completely.

  2. step 02

    Create a light sketch of the figure, halo, book, and keys, paying attention to proportions and composition.

  3. step 03

    Block in the main areas of color: the skin tones, robe, background, and book.

  4. step 04

    Begin layering and blending the skin tones, focusing on subtle shifts in value and color.

  5. step 05

    Develop the drapery of the robe, using highlights and shadows to create form and folds.

  6. step 06

    Add details to the book and keys, paying attention to their texture and form.

  7. step 07

    Apply gold leaf or metallic paint to the halo and decorative elements.

  8. step 08

    Add final details and refine the painting, adjusting values and colors as needed.

color palette

primary · yellow ochre · ultramarine blue · burnt umber

secondary · red ochre · titanium white

Mix yellow ochre with burnt umber and white for skin tones. Use ultramarine blue mixed with burnt umber for darker areas of the robe. Mix yellow ochre with a touch of red ochre for the robe's highlights.

techniques

  • ·layering
  • ·blending
  • ·dry brushing
  • ·glazing
  • ·scumbling

common pitfalls

  • →Overworking the skin tones, resulting in a muddy appearance.
  • →Failing to create a sense of depth in the drapery.
  • →Using too much detail in the background, distracting from the figure.
  • →Inaccurate proportions in the initial sketch.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Gesso
  • ·Acrylic paints (yellow ochre, ultramarine blue, burnt umber, red ochre, titanium white)
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil

optional

  • ·Retarder medium
  • ·Varnish
  • ·Gold leaf

Consider using a toned canvas to speed up the painting process. Experiment with different brushstrokes to create texture and depth.

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