apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Salotto Del Racoglitore Bianchi in Rue Rickepense
Salotto Del Racoglitore Bianchi in Rue Rickepense by Filippo De Pisis

plate no. 4896

Salotto Del Racoglitore Bianchi in Rue Rickepense

Filippo De Pisis

oilExpressionisminteriorinteriorroomchairpaintingsplantfurniture
some experience helpful

Recreating this painting will help students practice loose, expressive brushwork and learn to capture the essence of a scene rather than precise details. It's also a good exercise in color mixing to achieve the muted tones and create depth.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the furniture and paintings.

  2. step 02

    Block in the large areas of color, starting with the background wall and then the floor.

  3. step 03

    Add the main elements like the chair, table, and dresser, using broad brushstrokes.

  4. step 04

    Begin to define the details of the plant, paintings, and furniture, but keep the brushwork loose and expressive.

  5. step 05

    Add highlights and shadows to create depth and dimension.

  6. step 06

    Refine the colors and values, paying attention to the overall mood and atmosphere.

  7. step 07

    Add final details and textures with smaller brushes.

  8. step 08

    Step back and assess the painting, making any necessary adjustments.

color palette

primary · ultramarine blue · burnt sienna · yellow ochre

secondary · titanium white · cadmium red · ivory black

Mix ultramarine blue and burnt sienna to achieve the dark blue wall color, varying the ratio for different shades. Use yellow ochre and white for the furniture and door. Add small amounts of cadmium red to create the chair and other warm tones.

techniques

  • ·broken color
  • ·alla prima
  • ·scumbling
  • ·expressive brushwork
  • ·color temperature

common pitfalls

  • →Getting bogged down in details too early.
  • →Over-blending the colors, resulting in a muddy appearance.
  • →Not capturing the loose, expressive brushwork.
  • →Ignoring the subtle color variations in the shadows and highlights.

materials

surface · stretched canvas

required

  • ·stretched canvas (16x20 inches)
  • ·oil paints (ultramarine blue, burnt sienna, yellow ochre, titanium white, cadmium red, ivory black)
  • ·assorted brushes (various sizes, including flats and rounds)
  • ·palette
  • ·linseed oil or other painting medium
  • ·palette knife
  • ·rags or paper towels

optional

  • ·easel
  • ·odorless mineral spirits
  • ·varnish

Use a medium-tooth canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor