apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Saint-Tropez
Saint-Tropez by Francis Picabia

plate no. 5356

Saint-Tropez

Francis Picabia, 1909

oil, canvasDivisionismlandscapelandscapetreeswaterbuildingsskymountains
some experience helpful

Recreating this painting will help students understand color mixing to achieve optical color effects and practice applying distinct brushstrokes to build form and texture.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, including the horizon line, the location of the town, trees, and mountains.

  2. step 02

    Establish the main color blocks for the sky, water, land, and buildings with thin washes.

  3. step 03

    Begin applying individual brushstrokes of color to the sky, using blues, whites, and touches of pink and yellow.

  4. step 04

    Work on the water, using variations of blue and adding small white strokes to suggest light and movement.

  5. step 05

    Develop the land and foreground with a mosaic of colors, using greens, yellows, purples, and reds.

  6. step 06

    Add details to the buildings, using lighter and darker tones to create form and depth.

  7. step 07

    Paint the trees with greens, blues, and yellows, using short, broken strokes to create a sense of foliage.

  8. step 08

    Refine the details and adjust the colors as needed to achieve the desired optical effect.

color palette

primary · ultramarine blue · yellow ochre · titanium white

secondary · cadmium red · violet · sap green

Achieve the optical color mixing effect by placing small strokes of pure color next to each other, allowing the viewer's eye to blend them. Mix greens by combining blues and yellows, and purples by combining reds and blues.

techniques

  • ·pointillism
  • ·broken color
  • ·optical mixing
  • ·scumbling
  • ·color layering

common pitfalls

  • →Over-blending colors, which will negate the optical mixing effect.
  • →Using too much paint, which can create a muddy texture.
  • →Ignoring the underlying structure of the composition.
  • →Failing to vary the size and direction of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

The Stream in Labastide du Vert

The Stream in Labastide du Vert

Henri Martin

Sunbath

Sunbath

Nikolai Kulbin

The entrance of the gate in Marquayrol

The entrance of the gate in Marquayrol

Henri Martin

Knitting Girl

Knitting Girl

Giovanni Segantini

House on Stream

House on Stream

Henri Martin

Mittag in Den Alpen

Mittag in Den Alpen

Giovanni Segantini

Saint Tropez

Saint Tropez

Francis Picabia

Poplars on the Edge of Vert

Poplars on the Edge of Vert

Henri Martin