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home·artworks·Saint John the Baptist
Saint John the Baptist by Luca di Tommé

plate no. 8928

Saint John the Baptist

Luca di Tommé, 1389

temperaProto Renaissancereligious paintingfigurereligioussainthaloscrollgold background
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and drapery, and understanding the use of gold leaf or metallic paint to create a sense of divinity.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Prepare the surface with a gesso layer and let it dry completely.

  2. step 02

    Sketch the basic composition, focusing on the proportions of the figure and the placement of the scroll.

  3. step 03

    Apply a base layer of gold paint or gold leaf to the background, following the shapes of the halo and the decorative arch.

  4. step 04

    Begin painting the figure's skin tones, starting with a mid-tone and gradually adding highlights and shadows.

  5. step 05

    Paint the drapery, paying attention to the folds and the way the light interacts with the fabric.

  6. step 06

    Add details to the hair and beard, using small brushstrokes to create texture.

  7. step 07

    Carefully paint the scroll and the lettering, using a fine brush.

  8. step 08

    Add final details and highlights to the entire painting.

color palette

primary · gold · raw umber · burnt sienna · ultramarine blue

secondary · red ochre · ivory black

Mix raw umber and burnt sienna for the skin tones, adding white for highlights and a touch of ultramarine blue for shadows. Use red ochre for the red drapery and mix ultramarine blue and ivory black for the blue drapery.

techniques

  • ·underpainting
  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·gold leaf application

common pitfalls

  • →Inaccurate proportions of the figure.
  • →Uneven application of gold leaf or metallic paint.
  • →Overblending the skin tones, resulting in a flat appearance.
  • →Neglecting the details in the hair and beard.

materials

surface · gessoed wood panel

required

  • ·Stretched canvas or wood panel
  • ·Gesso
  • ·Acrylic or oil paints
  • ·Gold leaf or gold paint
  • ·Assorted brushes (small round, flat)
  • ·Palette
  • ·Linseed oil or acrylic medium
  • ·Palette knife

optional

  • ·varnish
  • ·retarder medium
  • ·gilding adhesive

Using a smooth surface is essential for achieving the desired level of detail. Consider using a traditional gesso recipe for an authentic look.

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