
plate no. 8928
Luca di Tommé, 1389
Recreating this painting will help students develop skills in portraiture, particularly rendering skin tones and drapery, and understanding the use of gold leaf or metallic paint to create a sense of divinity.
technical profile
approach — 8 steps
Prepare the surface with a gesso layer and let it dry completely.
Sketch the basic composition, focusing on the proportions of the figure and the placement of the scroll.
Apply a base layer of gold paint or gold leaf to the background, following the shapes of the halo and the decorative arch.
Begin painting the figure's skin tones, starting with a mid-tone and gradually adding highlights and shadows.
Paint the drapery, paying attention to the folds and the way the light interacts with the fabric.
Add details to the hair and beard, using small brushstrokes to create texture.
Carefully paint the scroll and the lettering, using a fine brush.
Add final details and highlights to the entire painting.
color palette
primary · gold · raw umber · burnt sienna · ultramarine blue
secondary · red ochre · ivory black
Mix raw umber and burnt sienna for the skin tones, adding white for highlights and a touch of ultramarine blue for shadows. Use red ochre for the red drapery and mix ultramarine blue and ivory black for the blue drapery.
techniques
common pitfalls
surface · gessoed wood panel
required
optional
Using a smooth surface is essential for achieving the desired level of detail. Consider using a traditional gesso recipe for an authentic look.
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