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Saint Augustine by Cennino Cennini

plate no. 6612

Saint Augustine

Cennino Cennini, 1400

oilProto Renaissancereligious paintingfiguresaintrobebookstaffgold background
some experience helpful

Recreating this painting will help students develop skills in rendering drapery folds and creating a sense of depth using subtle value changes. It also provides practice in painting stylized figures and decorative elements.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic figure and background elements, paying attention to proportions and composition.

  2. step 02

    Apply a base layer of color to the background, using a mix of gold and earth tones.

  3. step 03

    Block in the main colors of the robe, hat, and book.

  4. step 04

    Begin to develop the form of the figure by adding shadows and highlights to the robe, face, and hands.

  5. step 05

    Carefully render the details of the face, including the eyes, nose, and mouth.

  6. step 06

    Add the decorative elements on the robe and book using a fine brush and gold paint.

  7. step 07

    Refine the details of the background, adding texture and highlights to create a sense of depth.

  8. step 08

    Add final touches and glazes to unify the painting and enhance the colors.

color palette

primary · gold · yellow ochre · red · grey

secondary · green · brown · white

Achieve the gold tones by mixing yellow ochre with metallic gold paint or by layering yellow and brown glazes. Create subtle variations in the robe color by adding small amounts of red, brown, or green to the yellow ochre.

techniques

  • ·glazing
  • ·dry brushing
  • ·scumbling
  • ·rendering drapery
  • ·fine detail work

common pitfalls

  • →Overworking the details and losing the overall sense of form.
  • →Using too much paint and creating a muddy effect.
  • →Failing to create a sense of depth and dimension.
  • →Inaccurate proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic gesso
  • ·yellow ochre acrylic paint
  • ·red acrylic paint
  • ·grey acrylic paint
  • ·small round brush
  • ·medium flat brush
  • ·palette

optional

  • ·metallic gold paint
  • ·glazing medium
  • ·palette knife
  • ·varnish

Use high-quality acrylic paints for best results. Prepare the canvas with several layers of gesso before beginning to paint.

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