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home·artworks·Saghmosavank
Saghmosavank by Petros Malayan

plate no. 5477

Saghmosavank

Petros Malayan, 1973

oilExpressionismcityscapechurcharchitecturelandscapeskystone walltrees
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and simplified architectural rendering. It also provides practice in creating texture with layering and dry brush techniques.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the church and landscape, focusing on proportions.

  2. step 02

    Block in the sky with a thin wash of muted blues and grays.

  3. step 03

    Establish the main value areas of the church with browns and grays, paying attention to light direction.

  4. step 04

    Add the darker tones to the church to define the shadows and architectural details.

  5. step 05

    Paint the landscape elements, starting with the distant hills and working forward.

  6. step 06

    Create the stone wall in the foreground using a variety of grays and browns, suggesting texture with dry brush strokes.

  7. step 07

    Add details to the trees and foliage, using broken color and varied brushstrokes.

  8. step 08

    Refine the overall composition, adjusting values and adding subtle highlights.

color palette

primary · raw umber · payne's gray · titanium white

secondary · yellow ochre · burnt sienna · ultramarine blue

Mix browns and grays by combining umber, blue, and white. Use yellow ochre to warm up the browns for the landscape. Create atmospheric perspective by lightening and muting colors in the distance.

techniques

  • ·dry brush
  • ·layering
  • ·atmospheric perspective
  • ·broken color
  • ·simplified shapes

common pitfalls

  • →Overworking details in the architecture.
  • →Creating too much contrast in the foreground.
  • →Failing to establish a clear light source.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·payne's gray oil paint
  • ·titanium white oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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