apprentice
artistsserieslearnchatartworkscommunity galleryblog
apprentice

deliberate practice for serious artists

writingsourcesmethodsaboutgalleryprivacyterms
built by reducibl.com
home·artworks·São Francisco de Assis
São Francisco de Assis by Candido Portinari

plate no. 4385

São Francisco de Assis

Candido Portinari, 1941

oilExpressionismportraitportraitfigurebirdreligious figurerobehands

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the figure, bird, and background.

  2. step 02

    Block in the main areas of color: the background, the robe, the skin tones, and the bird.

  3. step 03

    Begin layering paint to build up the form of the face, paying attention to the light and shadow.

  4. step 04

    Add details to the beard and hair, using short, textured brushstrokes.

  5. step 05

    Develop the form of the hands, focusing on the planes and angles.

  6. step 06

    Paint the bird, using a combination of flat colors and textured strokes to create the pattern.

  7. step 07

    Refine the background, adding subtle variations in color and tone.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · titanium white · raw sienna

secondary · payne's gray · cadmium orange

Mix burnt umber and white for the robe and skin tones. Use raw sienna and a touch of orange for the bird. Payne's gray can be added to darken shadows.

techniques

  • ·dry brush texture
  • ·layering
  • ·scumbling
  • ·color mixing
  • ·visible brushstrokes

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Creating muddy colors by over-mixing.
  • →Failing to establish a strong value structure.
  • →Not paying attention to the proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·burnt umber
  • ·titanium white
  • ·raw sienna
  • ·payne's gray
  • ·cadmium orange
  • ·assorted brushes (flat and round)

optional

  • ·palette knife
  • ·painting medium
  • ·easel

Use a medium-textured canvas to enhance the visibility of the brushstrokes. Acrylics will dry faster, while oils allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor