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s. g. battista by Luca di Tommé

plate no. 1787

s. g. battista

Luca di Tommé, 1380

oilProto Renaissancereligious paintingfigurereligiousrobescrollgoldframe
some experience helpful

Recreating this painting will help students develop skills in figure drawing, drapery rendering, and creating a sense of depth through subtle value changes. It also offers practice in replicating a historical style and decorative elements.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the overall composition, paying attention to the proportions of the figure and the placement of the scroll.

  2. step 02

    Block in the main shapes and colors, starting with the background and then moving to the figure's robe and skin tones.

  3. step 03

    Begin layering colors to create depth and form, focusing on the folds of the robe and the contours of the figure.

  4. step 04

    Add details such as the hair, beard, and facial features, using small brushes and precise strokes.

  5. step 05

    Carefully render the scroll, paying attention to the lettering and the way it curves and folds.

  6. step 06

    Paint the gold frame, using a combination of yellow ochre, burnt sienna, and gold paint to create a shimmering effect.

  7. step 07

    Add final highlights and shadows to enhance the sense of realism and depth.

  8. step 08

    Glaze with thin layers to unify the colors and create a smooth, polished finish.

color palette

primary · green · pink · gold · brown

secondary · white · black · yellow ochre

Achieve the muted green by mixing yellow ochre, ultramarine blue, and white. The pink is a mix of red and white, with a touch of brown to tone it down. The gold is achieved by layering yellow ochre and burnt sienna, then highlighting with metallic gold paint.

techniques

  • ·glazing
  • ·scumbling
  • ·underpainting
  • ·figure drawing
  • ·drapery rendering

common pitfalls

  • →Getting the proportions of the figure wrong.
  • →Making the colors too bright and saturated.
  • →Failing to create a sense of depth and form.
  • →Rushing the details and losing accuracy.

materials

surface · stretched canvas

required

  • ·Stretched canvas
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 0, 2, 4)
  • ·Flat brushes (sizes 6, 8)
  • ·Palette
  • ·Palette knife
  • ·Linseed oil or acrylic medium
  • ·Clean rags

optional

  • ·Retarder medium
  • ·Varnish
  • ·Easel

Use high-quality paints for best results. Consider using a toned canvas to speed up the underpainting process.

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oil painting for beginners →how to learn by studying the masters →
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