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home·artworks·Rome (by the Figure pond)
Rome (by the Figure pond) by Arturo Souto

plate no. 9085

Rome (by the Figure pond)

Arturo Souto

oilExpressionismcityscapefigurearchitecturelandscapearchescityscape
some experience helpful

Recreating this painting will help students develop skills in blocking in shapes, creating texture with visible brushstrokes, and understanding atmospheric perspective through color and value variations. It also provides an opportunity to practice simplified figure painting.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition, focusing on the placement of the figure and architectural elements.

  2. step 02

    Block in the main color areas: sky, hills, buildings, figure, and ground, using thin washes.

  3. step 03

    Build up layers of paint, adding texture and detail with visible brushstrokes.

  4. step 04

    Focus on capturing the light and shadow patterns to create depth and form.

  5. step 05

    Refine the details of the figure, paying attention to the drapery and pose.

  6. step 06

    Add highlights and shadows to enhance the three-dimensional effect.

  7. step 07

    Adjust the colors and values as needed to create a cohesive and expressive painting.

  8. step 08

    Add final details and texture to complete the painting.

color palette

primary · yellow ochre · burnt sienna · raw umber · titanium white

secondary · viridian green · ultramarine blue

Mix various shades of brown and gray by combining the primary colors. Use white to lighten the colors and create highlights. Mix small amounts of blue and green to create the ground color.

techniques

  • ·dry brush texture
  • ·impasto
  • ·color mixing
  • ·blocking in
  • ·scumbling

common pitfalls

  • →Overworking the painting and losing the expressive brushstrokes.
  • →Getting bogged down in details too early in the process.
  • →Not paying attention to the value relationships and creating a flat image.
  • →Using colors straight from the tube without mixing them.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (various sizes)
  • ·flat brushes (various sizes)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)

optional

  • ·painting medium
  • ·easel
  • ·apron

Consider using a textured canvas to enhance the brushwork. Acrylics will dry faster, while oils allow for more blending time.

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oil painting for beginners →how to learn by studying the masters →
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