apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Ritorno Al Paese Natio
Ritorno Al Paese Natio by Giovanni Segantini

plate no. 3364

Ritorno Al Paese Natio

Giovanni Segantini, 1895

oil, canvasSymbolismgenre paintingmountainsskyfigureshorsecartfield
some experience helpful

Recreating this painting will help students develop skills in color mixing for atmospheric perspective and applying pointillist brushstrokes to create texture and depth. It also provides practice in depicting figures and animals in a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, including the mountains, figures, horse, and cart.

  2. step 02

    Establish the horizon line and the main areas of the sky, mountains, and field.

  3. step 03

    Block in the sky with light blues and pinks, blending softly.

  4. step 04

    Paint the distant mountains, using cooler blues and purples to create atmospheric perspective.

  5. step 05

    Add the mid-ground hills and fields with greens, yellows, and browns, using small, broken brushstrokes.

  6. step 06

    Paint the figures, horse, and cart, paying attention to their proportions and placement.

  7. step 07

    Add details to the foreground, such as grass, rocks, and shadows.

  8. step 08

    Refine the colors and values throughout the painting, adding highlights and shadows as needed.

color palette

primary · ultramarine blue · titanium white · yellow ochre · burnt umber

secondary · alizarin crimson · sap green · raw sienna

Mix blues and whites for the sky, adding a touch of pink for the clouds. Use yellow ochre, burnt umber, and white for the mountains. Mix greens and browns for the fields, varying the proportions to create different shades.

techniques

  • ·pointillism
  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·layering

common pitfalls

  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting atmospheric perspective, making the mountains appear flat.
  • →Using brushstrokes that are too large or uniform.
  • →Failing to establish a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·palette
  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for the pointillist technique.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Satan Addressing his Potentates

Satan Addressing his Potentates

William Blake

Self-portrait in studio

Self-portrait in studio

Franz Stuck

Tajik

Tajik

Kuzmá Petrov-Vodkin

View from the studio in Eerbeek

View from the studio in Eerbeek

Jan Mankes

Harlequin's garden

Harlequin's garden

Serge Sudeikin

Incantation

Incantation

Felicien Rops

Anzac, the Landing

Anzac, the Landing

George Washington Lambert

The canal at Ponte San Marco

The canal at Ponte San Marco

Giovanni Segantini