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home·artworks·Richard Gibbs
Richard Gibbs by Alice Neel

plate no. 8187

Richard Gibbs

Alice Neel, 1954

oilExpressionismportraitportraitfiguremaninteriorchairshadows
some experience helpful

This painting allows students to practice portraiture with expressive brushstrokes and explore color mixing to achieve realistic skin tones. Students will develop skills in capturing likeness and creating depth using value and color.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure and background.

  2. step 02

    Block in the main areas of color, focusing on the overall value structure.

  3. step 03

    Begin to refine the skin tones, mixing colors to match the subtle variations in light and shadow.

  4. step 04

    Add details to the face, paying attention to the eyes, nose, and mouth.

  5. step 05

    Develop the background, using loose brushstrokes to suggest the interior space.

  6. step 06

    Refine the edges and contours of the figure, using both hard and soft edges.

  7. step 07

    Add final details, such as the hair and clothing, using expressive brushstrokes.

  8. step 08

    Step back and assess the overall composition, making any necessary adjustments.

color palette

primary · titanium white · yellow ochre · burnt umber · cadmium red

secondary · ultramarine blue · ivory black

Achieve skin tones by mixing yellow ochre, cadmium red, and titanium white, with small amounts of burnt umber and ultramarine blue for shadows. Use white and black to create the greys in the background.

techniques

  • ·expressive brushstrokes
  • ·color mixing for skin tones
  • ·blocking in
  • ·scumbling
  • ·chiaroscuro

common pitfalls

  • →overworking the details
  • →getting the proportions wrong
  • →not paying attention to the value structure
  • →using colors that are too saturated

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-sized canvas to allow for expressive brushstrokes. Consider using a toned canvas to help establish the value structure.

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