
plate no. 2468
Viorel Marginean, 1986
Recreating this painting will help students practice layering colors and creating a sense of depth through size and placement. It also provides an opportunity to develop brush control for creating consistent shapes.
technical profile
approach — 8 steps
Lightly sketch the horizon line and the general placement of the trees, making them smaller towards the top.
Block in the sky with a thin layer of white or light grey paint.
Paint the tree trunks with a light brown, varying the thickness and height.
Add the foliage using a variety of muted earth tones, creating simple rounded shapes.
Paint the birds with small, quick strokes of black or dark grey, varying their size and direction.
Add subtle shadows under the trees to create depth.
Refine the shapes of the trees and birds as needed.
Add final details like small branches or highlights.
color palette
primary · titanium white · raw umber · burnt sienna
secondary · payne's grey · yellow ochre · cadmium red light
Mix the primary colors with white to create a range of muted earth tones. Use small amounts of secondary colors to subtly shift the hues.
techniques
common pitfalls
surface · stretched canvas
required
optional
Acrylics are recommended for faster drying time, but oils can also be used. Use a variety of brush sizes to create different effects.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor