
plate no. 8096
Mario Eloy, 1930
Recreating this painting will help students practice color mixing for skin tones and fabric, as well as understanding how to create form with subtle value changes. It also provides an opportunity to study simplified shapes and composition.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure, chair, and background.
Block in the large areas of color for the background, figure, and chair using diluted washes.
Begin to refine the shapes and values of the figure, paying attention to the light and shadow.
Mix and apply skin tones, gradually building up layers of color.
Add details to the suit, including the tie and pocket square.
Refine the chair and the floor, adding subtle variations in color and value.
Add final details and highlights to the face and hands.
Check proportions and make any necessary adjustments.
color palette
primary · Prussian blue · Titanium white · Cadmium red light · Yellow Ochre
secondary · Burnt umber · Viridian
Mix Prussian blue and white for the suit, adding small amounts of red and yellow to adjust the hue. Use yellow ochre, cadmium red light, and white to create skin tones, adding small amounts of blue or umber to cool or warm the color. Mix viridian and white for the background.
techniques
common pitfalls
surface · Stretched canvas
required
optional
Use a medium-grain canvas for best results. If using acrylics, work quickly as they dry fast. If using oils, allow each layer to dry before applying the next.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor