apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Retrato do bailarino Francis
Retrato do bailarino Francis by Mario Eloy

plate no. 8096

Retrato do bailarino Francis

Mario Eloy, 1930

oilExpressionismportraitportraitfiguremansuitchairindoor
some experience helpful

Recreating this painting will help students practice color mixing for skin tones and fabric, as well as understanding how to create form with subtle value changes. It also provides an opportunity to study simplified shapes and composition.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, chair, and background.

  2. step 02

    Block in the large areas of color for the background, figure, and chair using diluted washes.

  3. step 03

    Begin to refine the shapes and values of the figure, paying attention to the light and shadow.

  4. step 04

    Mix and apply skin tones, gradually building up layers of color.

  5. step 05

    Add details to the suit, including the tie and pocket square.

  6. step 06

    Refine the chair and the floor, adding subtle variations in color and value.

  7. step 07

    Add final details and highlights to the face and hands.

  8. step 08

    Check proportions and make any necessary adjustments.

color palette

primary · Prussian blue · Titanium white · Cadmium red light · Yellow Ochre

secondary · Burnt umber · Viridian

Mix Prussian blue and white for the suit, adding small amounts of red and yellow to adjust the hue. Use yellow ochre, cadmium red light, and white to create skin tones, adding small amounts of blue or umber to cool or warm the color. Mix viridian and white for the background.

techniques

  • ·Color mixing
  • ·Layering
  • ·Blocking in
  • ·Subtle blending
  • ·Simplified shapes

common pitfalls

  • →Overworking the details
  • →Incorrect proportions
  • →Muddy colors
  • →Ignoring the light source

materials

surface · Stretched canvas

required

  • ·Stretched canvas 16x20
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water
  • ·Rags

optional

  • ·Medium (for oil paints)
  • ·Easel
  • ·Reference photo print

Use a medium-grain canvas for best results. If using acrylics, work quickly as they dry fast. If using oils, allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor