
plate no. 5098
Dr. Atl, 1909
Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as capturing a likeness using expressive brushstrokes.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure and the tree.
Establish the background landscape with broad, light strokes.
Block in the main shapes of the figure with dark, muted tones.
Begin layering colors on the face, building up the skin tones with reds, greens, and browns.
Add details to the clothing, using short, visible brushstrokes to create texture.
Paint the tree trunk and foliage, varying the greens and browns to create depth.
Refine the details of the face, paying attention to the eyes, nose, and mouth.
Add final highlights and shadows to enhance the form and create a sense of realism.
color palette
primary · burnt umber · sap green · titanium white · cadmium red
secondary · ultramarine blue · yellow ochre
Mix greens by combining sap green with yellow ochre or ultramarine blue. Create skin tones by mixing cadmium red, burnt umber, and titanium white.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grit canvas to allow for better paint adhesion and texture.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor