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home·artworks·Retrato de Luis G. Urbina
Retrato de Luis G. Urbina by Dr. Atl

plate no. 5805

Retrato de Luis G. Urbina

Dr. Atl, 1907

oilExpressionismportraitportraitfiguremanchairbookinterior
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing for skin tones, and creating depth through subtle value changes. It also provides practice in capturing textures with visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, chair, and background.

  2. step 02

    Establish the overall color scheme by blocking in the main areas of color with thin washes.

  3. step 03

    Begin building up the skin tones using layers of color, paying attention to highlights and shadows.

  4. step 04

    Develop the details of the clothing, focusing on the folds and textures.

  5. step 05

    Refine the background, adding subtle variations in color and tone to create depth.

  6. step 06

    Add details to the book and chair, capturing their textures and forms.

  7. step 07

    Pay attention to the facial features, capturing the likeness and expression of the subject.

  8. step 08

    Add final highlights and shadows to enhance the overall sense of realism and depth.

color palette

primary · ultramarine blue · burnt umber · raw sienna · titanium white

secondary · cadmium red · yellow ochre

Mix various combinations of burnt umber, raw sienna, cadmium red, and titanium white to achieve the skin tones. Use ultramarine blue and burnt umber for the darks of the suit. Add yellow ochre to burnt umber for the background.

techniques

  • ·portraiture
  • ·color mixing
  • ·layering
  • ·scumbling
  • ·dry brush

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the correct proportions of the figure.
  • →Ignoring the subtle variations in color and tone, leading to a lack of depth.
  • →Getting lost in details too early, before establishing the overall composition and color scheme.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·titanium white oil paint
  • ·assorted brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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