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home·artworks·Retrato De Hombre Con Escala De Colores
Retrato De Hombre Con Escala De Colores by Maruja Mallo

plate no. 9495

Retrato De Hombre Con Escala De Colores

Maruja Mallo

oilExpressionismportraitportraitfiguremancolor swatchesfacetorso
some experience helpful

Recreating this painting will help students develop skills in portraiture, color mixing, and understanding value relationships to create form. It also provides practice in using visible brushstrokes to build texture and shape.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the figure and the color swatches on the canvas.

  2. step 02

    Establish the background color with a thin layer of off-white paint.

  3. step 03

    Block in the large areas of dark and light on the figure using simplified shapes.

  4. step 04

    Mix the various skin tones using a limited palette of earth tones, white, and a touch of blue.

  5. step 05

    Apply the skin tones with visible brushstrokes, following the form of the face and body.

  6. step 06

    Paint the color swatches using flat, opaque colors, referencing the original painting for accuracy.

  7. step 07

    Add details such as the eyes, nose, and mouth, paying attention to the highlights and shadows.

  8. step 08

    Refine the edges and adjust the values to create a cohesive and expressive portrait.

color palette

primary · burnt umber · titanium white · ultramarine blue

secondary · yellow ochre · cadmium red · purple

Achieve skin tones by mixing burnt umber and white, adding small amounts of blue to cool the shadows. Use yellow ochre and cadmium red to create warmer highlights. The color swatches require mixing a wider range of hues.

techniques

  • ·blocking in
  • ·alla prima
  • ·color mixing
  • ·scumbling
  • ·impasto

common pitfalls

  • →Over-blending the skin tones, resulting in a flat and lifeless appearance.
  • →Ignoring the value relationships, leading to a lack of form and depth.
  • →Getting the proportions wrong in the initial sketch.
  • →Not paying attention to the direction of the brushstrokes.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·assorted brushes (flat and round)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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