apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Restaurant Overlooking the Pacific
Restaurant Overlooking the Pacific by John Register

plate no. 7348

Restaurant Overlooking the Pacific

John Register, 1990

oilAmerican Realisminteriorinterioroceanchairstablewindowlight
some experience helpful

This painting provides an opportunity to practice color mixing to achieve subtle variations in tone and to understand how light affects the color of objects. Students can also learn about creating depth through atmospheric perspective and linear perspective.

technical profile

palette complexity
3
brushwork visibility
2
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, paying attention to the perspective of the room and furniture.

  2. step 02

    Establish the horizon line and the placement of the window.

  3. step 03

    Block in the large areas of color: the sky, ocean, wall, and floor, using thin washes.

  4. step 04

    Begin to refine the colors and values, adding subtle variations to create depth and form.

  5. step 05

    Paint the details of the chairs and table, paying attention to the highlights and shadows.

  6. step 06

    Add the details of the window frame and the reflection on the table.

  7. step 07

    Refine the edges and details, adjusting the values as needed.

  8. step 08

    Add final highlights and shadows to create a sense of realism.

color palette

primary · ultramarine blue · titanium white · raw umber

secondary · cadmium red · yellow ochre

Mix ultramarine blue and white for the sky and ocean, varying the ratio to create depth. Use raw umber and white for the walls and floor, adding touches of yellow ochre for warmth. Mix cadmium red with raw umber for the chairs.

techniques

  • ·color mixing
  • ·atmospheric perspective
  • ·linear perspective
  • ·glazing
  • ·blending

common pitfalls

  • →Getting the perspective wrong can ruin the composition.
  • →Using colors that are too saturated can make the painting look unrealistic.
  • →Ignoring the subtle variations in value can make the painting look flat.
  • →Overworking the details can make the painting look stiff.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ultramarine blue oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use high-quality oil paints for best results. A smooth canvas surface will help with blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Common Work

Common Work

Albrecht Anker

Untitled (Logging Scene)

Untitled (Logging Scene)

Alexander Calder

Mojave Bus Station

Mojave Bus Station

John Register

Restaurant

Restaurant

John Register

Ship in the Bay

Ship in the Bay

Robert Henri

North Greenland Fiord, Gray Day

North Greenland Fiord, Gray Day

Rockwell Kent

Road to Asgaard   Adirondack

Road to Asgaard Adirondack

Rockwell Kent

Todd Shipyard

Todd Shipyard

Alexander Calder