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home·artworks·Redheaded woman wearing a pendant
Redheaded woman wearing a pendant by Amedeo Modigliani

plate no. 7988

Redheaded woman wearing a pendant

Amedeo Modigliani, 1918

oil, canvasExpressionismportraitportraitwomanred hairnecklacedresschair
some experience helpful

Recreating this painting will help students develop skills in simplifying forms, mixing skin tones, and using expressive brushstrokes to create texture and volume. It also encourages observation of subtle color variations within a limited palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes and proportions of the figure and chair.

  2. step 02

    Block in the background with light gray and blue tones.

  3. step 03

    Establish the main skin tone using a mix of white, yellow ochre, and a touch of red.

  4. step 04

    Paint the dress with a dark blue, adding highlights and shadows.

  5. step 05

    Define the hair with varied shades of red and orange, using short, choppy strokes.

  6. step 06

    Add details like the necklace and facial features, keeping them simple and stylized.

  7. step 07

    Refine the edges and blend some areas to create a sense of depth.

  8. step 08

    Add final touches and highlights to enhance the overall effect.

color palette

primary · titanium white · yellow ochre · cadmium red · ultramarine blue

secondary · burnt sienna · raw umber · viridian

Achieve skin tones by mixing white, yellow ochre, and a touch of red; adjust the ratio for highlights and shadows. Mix blue and raw umber for the dress, adding white for highlights. Use a mix of cadmium red and burnt sienna for the hair, adding yellow ochre for highlights.

techniques

  • ·blocking in
  • ·color mixing
  • ·expressive brushstrokes
  • ·simplifying forms
  • ·scumbling

common pitfalls

  • →over-blending and losing texture
  • →getting the proportions wrong in the initial sketch
  • →making the skin tones too uniform
  • →overworking the details

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·ultramarine blue oil paint
  • ·#4 round brush
  • ·#8 flat brush
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

Use a medium-textured canvas to enhance the brushstroke visibility. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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