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Red, Red by John Bratby

plate no. 5702

Red, Red

John Bratby, 1990

oilExpressionismportraitfiguresportraitsarchitectureclothingcityscapegroup
some experience helpful

Recreating this painting will help students develop skills in expressive brushwork and capturing likeness through simplified forms and bold color choices. It also encourages experimentation with color temperature and creating depth through layering.

technical profile

palette complexity
3
brushwork visibility
5
value contrast
4
compositional simplicity
3

study guide

est. 10 hrs

approach — 7 steps

  1. step 01

    Lightly sketch the basic shapes and placement of the figures and background architecture.

  2. step 02

    Block in the main color areas (red, blue, white) using broad brushstrokes.

  3. step 03

    Begin defining the figures' features and clothing details with thicker, more visible brushstrokes.

  4. step 04

    Add highlights and shadows to create form and dimension, focusing on the light source.

  5. step 05

    Develop the background architecture with simplified shapes and contrasting colors.

  6. step 06

    Refine the details of the figures' faces, paying attention to expression and likeness.

  7. step 07

    Add final touches and adjust colors as needed to achieve the desired expressive effect.

color palette

primary · cadmium red · ultramarine blue · titanium white

secondary · yellow ochre · burnt umber

Mix various shades of red by adding white or a touch of blue/umber. Achieve the blues by mixing ultramarine with white and small amounts of red or yellow to adjust the temperature.

techniques

  • ·impasto
  • ·broken color
  • ·expressive brushwork
  • ·scumbling
  • ·layering

common pitfalls

  • →Overworking the details and losing the expressive quality.
  • →Creating muddy colors by over-mixing.
  • →Failing to capture the likeness of the figures.
  • →Ignoring the importance of contrasting colors and values.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·assorted brushes (various sizes, including flats and rounds)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits or turpentine (for cleaning brushes)
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·apron

Use thick paint and visible brushstrokes to emulate Bratby's style. Consider using a textured canvas to enhance the impasto effect.

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oil painting for beginners →how to learn by studying the masters →
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