apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Red House and Spruces
Red House and Spruces by Edvard Munch

plate no. 6943

Red House and Spruces

Edvard Munch, 1927

oil, canvasExpressionismlandscapetreessnowhouselandscapewinter
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and using a limited color palette to create a cohesive atmosphere. Students will also practice expressive brushwork to convey texture and form.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the trees, house, and landscape using light pencil lines.

  2. step 02

    Block in the large areas of blue for the snow and sky, using varying shades.

  3. step 03

    Paint the trees with darker blues, adding texture with visible brushstrokes.

  4. step 04

    Add the red house, focusing on its simple geometric form.

  5. step 05

    Introduce subtle variations in the snow with lighter blues and whites.

  6. step 06

    Define the shadows under the trees and around the house with darker blues and greens.

  7. step 07

    Add details to the trees and house, such as branches and window panes.

  8. step 08

    Review and adjust the overall composition, ensuring a balanced and harmonious feel.

color palette

primary · Prussian blue · Titanium white · Cadmium red

secondary · Sap green · Ultramarine blue

Mix different shades of blue by combining Prussian blue with varying amounts of white. Use small amounts of green to darken the blues for shadows. Mix red with a touch of white for the house.

techniques

  • ·Wet-on-dry brushwork
  • ·Color mixing
  • ·Simplification of form
  • ·Expressive brushstrokes
  • ·Layering

common pitfalls

  • →Overworking the details and losing the expressive quality.
  • →Using too many colors and creating a disjointed composition.
  • →Not varying the shades of blue enough, resulting in a flat painting.
  • →Ignoring the importance of negative space around the trees and house.

materials

surface · Stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Prussian blue oil paint
  • ·Titanium white oil paint
  • ·Cadmium red oil paint
  • ·Round brushes (various sizes)
  • ·Flat brushes (various sizes)
  • ·Palette
  • ·Linseed oil

optional

  • ·Palette knife
  • ·Odorless mineral spirits
  • ·Painting medium

Use high-quality oil paints for best results. Pre-toned canvas can help establish the mood.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor