
plate no. 9029
Lucian Freud, 1963
Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and conveying mood through posture and expression. It also provides practice in rendering textures and subtle color variations in skin tones and clothing.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the figure, chair, and background.
Establish the overall color scheme by applying thin washes of color to the canvas.
Block in the main areas of color, focusing on the figure's skin tones, clothing, and the chair.
Begin to refine the details of the face, paying attention to the subtle variations in color and value.
Develop the textures of the clothing and chair using visible brushstrokes.
Add highlights and shadows to create depth and dimension.
Refine the background, ensuring it complements the figure without distracting from it.
Add final details and adjust values to achieve a cohesive and expressive painting.
color palette
primary · titanium white · raw umber · yellow ochre · ivory black
secondary · burnt sienna · cadmium red light · viridian
Mix various shades of gray and brown by combining raw umber, ivory black, and titanium white. Use yellow ochre and burnt sienna for warm skin tones, and a touch of cadmium red light for the cheeks and lips. Viridian can be used sparingly to cool down the greens in the background.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor