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home·artworks·Red Haired Man on a Chair
Red Haired Man on a Chair by Lucian Freud

plate no. 9029

Red Haired Man on a Chair

Lucian Freud, 1963

oil, canvasExpressionismgenre paintingfigurechairportraitinteriorclothingwood
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly capturing likeness and conveying mood through posture and expression. It also provides practice in rendering textures and subtle color variations in skin tones and clothing.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, chair, and background.

  2. step 02

    Establish the overall color scheme by applying thin washes of color to the canvas.

  3. step 03

    Block in the main areas of color, focusing on the figure's skin tones, clothing, and the chair.

  4. step 04

    Begin to refine the details of the face, paying attention to the subtle variations in color and value.

  5. step 05

    Develop the textures of the clothing and chair using visible brushstrokes.

  6. step 06

    Add highlights and shadows to create depth and dimension.

  7. step 07

    Refine the background, ensuring it complements the figure without distracting from it.

  8. step 08

    Add final details and adjust values to achieve a cohesive and expressive painting.

color palette

primary · titanium white · raw umber · yellow ochre · ivory black

secondary · burnt sienna · cadmium red light · viridian

Mix various shades of gray and brown by combining raw umber, ivory black, and titanium white. Use yellow ochre and burnt sienna for warm skin tones, and a touch of cadmium red light for the cheeks and lips. Viridian can be used sparingly to cool down the greens in the background.

techniques

  • ·portraiture
  • ·alla prima
  • ·scumbling
  • ·broken color
  • ·limited palette

common pitfalls

  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Failing to capture the likeness of the figure.
  • →Creating muddy colors by overmixing.
  • →Ignoring the subtle variations in color and value.
  • →Losing the overall composition and balance.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-grain canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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