apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Red Elisabeth Riverbank, Berlin
Red Elisabeth Riverbank, Berlin by Ernst Ludwig Kirchner

plate no. 4911

Red Elisabeth Riverbank, Berlin

Ernst Ludwig Kirchner, 1913

oil, canvasExpressionismcityscapecityscapebuildingsbridgerivertreesfigures
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into basic shapes and using expressive brushstrokes to convey emotion and atmosphere.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the buildings, bridge, river, and trees, focusing on their relative positions and sizes.

  2. step 02

    Block in the large areas of color: the sky, buildings, river, and ground, using thin washes.

  3. step 03

    Add the darker values to define the shadows and forms of the buildings and bridge.

  4. step 04

    Paint the red buildings and trees, using bold brushstrokes to create texture and visual interest.

  5. step 05

    Add details to the bridge and buildings, such as windows and railings, using a smaller brush.

  6. step 06

    Refine the colors and values throughout the painting, adjusting as needed to create a sense of depth and atmosphere.

  7. step 07

    Add the figures in the foreground with simple, dark strokes.

  8. step 08

    Review and adjust the overall composition and color balance.

color palette

primary · cadmium red · ultramarine blue · titanium white · ivory black

secondary · yellow ochre · burnt umber · sap green

Mix various shades of gray by combining black and white. Create muted greens by mixing yellow ochre with blue and black. Use red straight from the tube for the buildings and trees, and mix with black for darker shades.

techniques

  • ·blocking in
  • ·expressive brushstrokes
  • ·color mixing
  • ·simplification of form
  • ·scumbling

common pitfalls

  • →Overworking the details and losing the expressive quality of the brushstrokes.
  • →Making the colors too saturated and bright.
  • →Failing to simplify the forms and creating a cluttered composition.
  • →Not establishing a clear focal point.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (cadmium red, ultramarine blue, titanium white, ivory black, yellow ochre, burnt umber, sap green)
  • ·palette
  • ·palette knife
  • ·assorted brushes (flat and round)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·apron

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor