apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Reapers in the age and Ceres
Reapers in the age and Ceres by Rafael Zabaleta

plate no. 1623

Reapers in the age and Ceres

Rafael Zabaleta

oilExpressionismsymbolic paintingfigureslandscapefieldsmountainsskyharvest
some experience helpful

Recreating this painting will help students develop skills in figure drawing, composition, and creating texture with visible brushstrokes. It also encourages exploration of symbolic representation in art.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and landscape elements.

  2. step 02

    Block in the main color areas for the sky, mountains, and fields using thin washes.

  3. step 03

    Begin building up the forms of the figures, paying attention to proportions and anatomical details.

  4. step 04

    Add details to the landscape, including trees, buildings, and haystacks.

  5. step 05

    Develop the texture of the fields and clothing with visible brushstrokes.

  6. step 06

    Refine the colors and values, creating depth and dimension.

  7. step 07

    Add the figure of Ceres in the sky, paying attention to her drapery and pose.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ochre · raw umber · titanium white · cerulean blue

secondary · burnt sienna · sap green · cadmium yellow

Mix various shades of brown and green by combining ochre, raw umber, burnt sienna, and sap green. Use white to lighten colors and create highlights.

techniques

  • ·blocking in
  • ·dry brush texture
  • ·scumbling
  • ·layering
  • ·figure drawing

common pitfalls

  • →Overworking the details and losing the overall composition.
  • →Using too much paint and creating a muddy effect.
  • →Ignoring the proportions of the figures.
  • →Not creating enough contrast between light and shadow.

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Acrylic or oil paints
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)
  • ·Palette
  • ·Palette knife
  • ·Odorless mineral spirits or water
  • ·Linseed oil (if using oil paints)

optional

  • ·Painting medium (e.g., Liquin)
  • ·Retarder medium
  • ·Easel

Use a medium-grain canvas for best results. Acrylic paints will dry faster, while oil paints will allow for more blending time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Dolly Sisters

Dolly Sisters

Kees van Dongen

Nude with Loaves

Nude with Loaves

Jean Helion

My Father

My Father

Carlos Botelho

Helen

Helen

Chronis Botsoglou

The portrait painter in the country

The portrait painter in the country

Albin Egger-Lienz

Marketta on Lázeňská street, Prague

Marketta on Lázeňská street, Prague

Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city

Winter at the Entrepotdok, in Amsterdam city

Paul Werner

Old Woman with Masks (Theatre of Masks)

Old Woman with Masks (Theatre of Masks)

James Ensor