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home·artworks·Reading the Stele
Reading the Stele by Li Cheng

plate no. 5437

Reading the Stele

Li Cheng

oilInk and wash paintinglandscapelandscapetreesfigurerockshorsemountains
some experience helpful

This painting is great for learning to create depth with limited values and practicing detailed brushwork for organic forms like trees and rocks. It also provides an opportunity to study traditional ink wash techniques.

technical profile

palette complexity
2
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Prepare a toned surface with a light brown wash.

  2. step 02

    Lightly sketch the main compositional elements: the large tree, rocks, distant mountains, and figures.

  3. step 03

    Begin with the darkest values, defining the shadows and contours of the rocks and tree trunk using thin washes.

  4. step 04

    Layer progressively lighter washes to build up the form and volume of the rocks and tree.

  5. step 05

    Use finer brushes to add details to the branches and twigs, creating a sense of depth and texture.

  6. step 06

    Paint the distant mountains with very diluted washes to create atmospheric perspective.

  7. step 07

    Add the figures and horse with simple, delicate brushstrokes.

  8. step 08

    Add final details and adjust values as needed to create a cohesive composition.

color palette

primary · sepia · raw umber

secondary · ivory black · burnt sienna

Achieve various shades by diluting the primary colors with water or blending them in different ratios. Use more water for lighter tones and less for darker tones.

techniques

  • ·ink wash
  • ·dry brushing
  • ·layering
  • ·atmospheric perspective
  • ·calligraphic brushstrokes

common pitfalls

  • →Overworking the details and losing the spontaneity of the brushstrokes.
  • →Creating values that are too similar, resulting in a flat image.
  • →Failing to establish a clear focal point.
  • →Using too much water and causing the washes to bleed uncontrollably.

materials

surface · rice paper or watercolor paper

required

  • ·rice paper or watercolor paper
  • ·Chinese ink or sepia watercolor
  • ·Chinese calligraphy brushes or fine detail brushes
  • ·water container
  • ·mixing palette
  • ·soft cloth or paper towels

optional

  • ·palette knife
  • ·mounting board
  • ·spray fixative

Experiment with different types of paper to achieve varying textures and effects. Use good quality brushes for better control and precision.

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