
plate no. 4716
Recreating this painting will help students develop skills in atmospheric perspective and creating depth through value changes. It also provides practice in loose, expressive brushwork to capture the textures of mountains and clouds.
technical profile
approach — 8 steps
Sketch the basic shapes of the mountain and surrounding landscape, paying attention to the overall composition.
Block in the sky with light blue and white, creating soft cloud shapes.
Establish the darkest values in the foreground rocks and shadows on the mountain.
Begin building up the mountain with layers of white, light blue, and gray, defining the snow-covered areas.
Add mid-tones to the rocks and mountainsides, using browns, grays, and purples.
Refine the details of the mountain, adding highlights and shadows to create form.
Blend the edges of the clouds and mountains to create a sense of atmosphere.
Add final details and highlights to the rocks and snow.
color palette
primary · titanium white · ultramarine blue · burnt umber
secondary · raw sienna · payne's gray · purple
Mix various shades of gray by combining white, blue, and umber. Use more blue for cooler grays and more umber for warmer grays. Create the mountain's snow by mixing white with small amounts of blue and gray.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grit canvas for better texture. Consider using a toned canvas to establish a base color.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Dolly Sisters
Kees van Dongen

Nude with Loaves
Jean Helion

My Father
Carlos Botelho

Helen
Chronis Botsoglou

The portrait painter in the country
Albin Egger-Lienz

Marketta on Lázeňská street, Prague
Maria Bozoky

Winter at the Entrepotdok, in Amsterdam city
Paul Werner

Old Woman with Masks (Theatre of Masks)
James Ensor