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home·artworks·Rückkehr Vom Wald
Rückkehr Vom Wald by Giovanni Segantini

plate no. 4684

Rückkehr Vom Wald

Giovanni Segantini, 1890

oilSymbolismgenre paintingsnowfiguresleighwoodbuildingsmountains
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering textures with visible brushstrokes. It also provides practice in creating a sense of depth and distance using value and color.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, sleigh, buildings, and mountains.

  2. step 02

    Establish the overall value structure with a thin wash of neutral gray or blue.

  3. step 03

    Begin layering in the snow, using a mix of white and cool grays, and varying brushstrokes to create texture.

  4. step 04

    Paint the figure and sleigh, paying attention to the details of the wood and the folds in the clothing.

  5. step 05

    Add the buildings and mountains in the background, using lighter values and less detail to create atmospheric perspective.

  6. step 06

    Refine the details of the snow, adding highlights and shadows to create a sense of depth.

  7. step 07

    Add the tracks in the snow, using a mix of cool grays and browns.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and atmospheric painting.

color palette

primary · titanium white · ivory black · raw umber

secondary · ultramarine blue · burnt sienna

Achieve the cool grays by mixing white with small amounts of black and blue. Use burnt sienna to warm up the browns and create highlights in the wood.

techniques

  • ·dry brush texture
  • ·atmospheric perspective
  • ·scumbling
  • ·broken color

common pitfalls

  • →Overworking the snow and losing the sense of texture.
  • →Making the background too detailed and losing the atmospheric perspective.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·painting medium
  • ·varnish

Use a medium-grain canvas to allow for texture. Consider using a limited palette to simplify color mixing.

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