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home·artworks·Quintais de Lisboa
Quintais de Lisboa by Nikias Skapinakis

plate no. 2255

Quintais de Lisboa

Nikias Skapinakis, 1956

oilExpressionismcityscapecityscapebuildingspalm treefiguresskyrooftops
some experience helpful

Recreating this painting will help students develop skills in simplifying complex scenes into geometric shapes and understanding how to use color to create depth and atmosphere. It also provides practice in capturing the essence of a scene rather than precise realism.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and composition of the buildings, palm tree, and figures, focusing on their relative sizes and positions.

  2. step 02

    Block in the large areas of color for the sky, buildings, and ground, using simplified shapes.

  3. step 03

    Refine the shapes of the buildings and add details like windows, doors, and chimneys.

  4. step 04

    Paint the palm tree trunk and fronds, paying attention to the variations in color and texture.

  5. step 05

    Add the figures in the foreground, using simple shapes and colors.

  6. step 06

    Introduce shadows and highlights to create depth and dimension.

  7. step 07

    Refine the details and edges of the painting, adding small touches of color and texture.

  8. step 08

    Step back and assess the overall balance and harmony of the painting, making any necessary adjustments.

color palette

primary · sky blue · white · yellow ochre · burnt sienna

secondary · orange · red · dark blue · green

Mix shades of white with small amounts of other colors to achieve the off-white tones of the buildings. Use blues and greens to create the darker shades of the ground and shadows.

techniques

  • ·blocking in
  • ·simplification of form
  • ·color layering
  • ·geometric abstraction
  • ·scumbling

common pitfalls

  • →Overcomplicating the shapes and details.
  • →Using colors that are too saturated.
  • →Ignoring the overall composition and balance.
  • →Not simplifying the forms enough.
  • →Getting lost in details too early.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes
  • ·flat brushes
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)

optional

  • ·painting medium
  • ·easel
  • ·rags
  • ·turpentine or mineral spirits (for cleaning oil brushes)

A medium-sized canvas (e.g., 16x20 inches) is suitable for this painting. Use good quality paints for best results.

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oil painting for beginners →how to learn by studying the masters →
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