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home·artworks·Quiet Autumn Day
Quiet Autumn Day by Abraham Manievich

plate no. 7257

Quiet Autumn Day

Abraham Manievich

oilExpressionismcityscapebuildingstreesstreethousesautumncityscape
experienced study

Recreating this painting will help students develop skills in impasto techniques and layering colors to create texture and depth. It also provides practice in capturing the essence of a scene rather than precise details.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, trees, and street using light pencil lines.

  2. step 02

    Apply a thin wash of burnt umber or raw sienna as an underpainting to establish the overall tonal values.

  3. step 03

    Begin layering in the dominant colors of the buildings and trees, using thick impasto strokes.

  4. step 04

    Mix and apply various shades of green, yellow, orange, and brown to capture the autumn foliage.

  5. step 05

    Use a palette knife or stiff brush to create texture in the tree bark and rooftops.

  6. step 06

    Add highlights and shadows to define the forms and create depth.

  7. step 07

    Refine the details of the windows, doors, and other architectural elements.

  8. step 08

    Add final touches and adjust colors as needed to achieve the desired effect.

color palette

primary · yellow ochre · burnt sienna · viridian green

secondary · cadmium orange · ultramarine blue · titanium white

Achieve the various greens by mixing viridian green with yellow ochre and titanium white. Create warm browns by blending burnt sienna with yellow ochre and a touch of ultramarine blue.

techniques

  • ·impasto
  • ·layering
  • ·broken color
  • ·palette knife application
  • ·scumbling

common pitfalls

  • →Overworking the painting and losing the freshness of the brushstrokes.
  • →Using too much paint and creating a muddy effect.
  • →Neglecting the tonal values and creating a flat, uninteresting composition.
  • →Focusing too much on details and losing the overall impression of the scene.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (yellow ochre, burnt sienna, viridian green, cadmium orange, ultramarine blue, titanium white)
  • ·palette
  • ·assorted brushes (round, flat, filbert)
  • ·palette knife
  • ·linseed oil
  • ·turpentine or odorless mineral spirits

optional

  • ·painting medium (e.g., Liquin)
  • ·easel
  • ·rags

Use high-quality oil paints for best results. Experiment with different brush sizes and shapes to achieve a variety of textures.

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oil painting for beginners →how to learn by studying the masters →
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