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home·artworks·Pushing Off the Boat at Sea Bright, New Jersey
Pushing Off the Boat at Sea Bright, New Jersey by Louis Comfort Tiffany

plate no. 6881

Pushing Off the Boat at Sea Bright, New Jersey

Louis Comfort Tiffany, 1887

oilPost-Impressionismgenre paintingbeachfiguresboatwavesskywater
some experience helpful

This painting provides an opportunity to practice capturing light and atmosphere, as well as rendering figures in a naturalistic setting. Students can also learn to create a sense of depth and movement through brushwork and color.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the boat, figures, and horizon line.

  2. step 02

    Block in the main color areas for the sky, sea, sand, and boat.

  3. step 03

    Begin to define the shapes of the figures, paying attention to their proportions and poses.

  4. step 04

    Add details to the boat, including the oars and any visible equipment.

  5. step 05

    Develop the waves, using short, broken brushstrokes to suggest movement and texture.

  6. step 06

    Refine the colors and values throughout the painting, creating a sense of depth and atmosphere.

  7. step 07

    Add highlights and shadows to the figures and boat to create form.

  8. step 08

    Add final details, such as the reflections in the water and the small boats in the distance.

color palette

primary · ultramarine blue · burnt umber · titanium white · yellow ochre

secondary · cadmium red · viridian green

Mix various shades of blue and white for the sky and sea. Use burnt umber and yellow ochre for the sand and boat. Add small amounts of red and green to create subtle color variations.

techniques

  • ·dry brush texture
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective
  • ·color mixing

common pitfalls

  • →Overworking the details and losing the overall sense of atmosphere.
  • →Creating overly harsh or unnatural color transitions.
  • →Failing to capture the movement and texture of the waves.
  • →Incorrect proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·painting medium
  • ·easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →color theory for painters →how to learn by studying the masters →
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